[For an explanation of my blog post title, check out my “best of” list from 2013.] Below you will find lists of … More
Author: chrisreedfilm
5 Pieces @hammertonail: Reviews of “Baden Baden,” “Risky Drinking,” “8-Bit Generation,” “I, Daniel Blake” + Criterion Blu-Ray of “The Story of the Last Chrysanthemum”
Since my last post about Hammer to Nail, the site has posted 5 more reviews of mine: Baden Baden, a French coming-of-age film … More
“Fences” Showcases Great Performances
Fences (Denzel Washington, 2016) The great American playwright August Wilson (1945-2005) may no longer be physically of this world, but … More
In Disturbing “Elle,” Isabelle Huppert, As Always, Mesmerizes
Elle (Paul Verhoeven, 2016) Now 78, Dutch filmmaker Paul Verhoeven has long since graduated beyond enfant terrible, if that moniker were … More
In Moving “Lion,” Dev Patel Roars
[Note: This review also appeared on Film Festival Today.] Lion (Garth Davis, 2016) Based on the memoir A Long Way Home, by Saroo … More
The Dilemma of “Jackie”: Beautiful to Behold, Unbearable to Watch
[Note: This review also appeared on Film Festival Today.] Jackie (Pablo Larraín, 2016) We first meet her in close-up, shot in muted … More
Rodricks, Reed and DeLibero on the Films of December 2016
Today, Linda DeLibero – Director, Film and Media Studies, Johns Hopkins University – and Christopher Llewellyn Reed (that’s me) – Chair and Professor, Department … More
“A Kind of Murder” Is a Worthy Tribute to Highsmith
A Kind of Murder (Andy Goddard, 2016) The late, great American writer Patricia Highsmith (1921-1995) – best known for books like … More
“Collateral Beauty” Offers Mostly Collateral Damage
[This review will also appear at Film Festival Today, and when it does, I will link to that review.] Collateral Beauty (David Frankel, … More
“La La Land” Is a Magical, Musical Paean to the Hollywood Dream Factory
[Note: This review also appeared on Film Festival Today.] La La Land (Damien Chazelle, 2016) From its exuberant opening musical number, set … More