Dragon Digital TV’s “Reel Talk” – with Chris Reed and Jed Dietz – on “Brooklyn,” “Room,” “Spectre” and the MD Film Festival

HCC-TV Reel Talk_2015-11

Christopher Llewellyn Reed, “Reel Talk” host, w/ Jed Dietz, Director the Maryland Film Festival.

Welcome to the second episode of the 2015-2016 season of Dragon Digital Media‘s Reel Talk with Christopher Llewellyn Reed (you can watch the first episode here). My guest this time was Jed Dietz, Founding Director of the Maryland Film Festival. We reviewed three films, as usual – BrooklynRoom and Spectre – and added an additional segment where we discussed the history and films of the Maryland Film Festival. In Howard County, Maryland, you can watch the show on Channel 41 (if you’re a Verizon customer) or Channel 96 (if you’re a Comcast customer), and you can watch it online from anywhere.

As always, the amazing Dragon Digital Media team did a fantastic job putting this together, especially producer Karen Vadnais and director Danielle Maloney. Our next episode will premiere in January of the new year. Until then, if you want to watch more of our work, you can check out last year’s episodes in full – Episode 1Episode 2Episode 3Episode 4Episode 5Episode 6 – or watch the various segments from each episode on our YouTube channel. Enjoy! And we’ll see you at the movies!

Maryland Film Festival 2015, Days 4 and 5: Stevenson Student Sessions + Movies

Sadly, on Saturday, the fourth day of the 2015 Maryland Film Festival, I started coming down with some kind of virus of some sort, and proceeded to feel sicker and more fatigued as the weekend wore on, eventually opting to stay home and do my set to recover. As I write this I am less feverish, but still extremely tired, which explains why it has taken me so long to post this final wrap-up of the festival (which isn’t much of a wrap-up, given my dwindling energy in the last two days). But we stuck to the plan, and Stevenson University Film/Video students did get to meet the two filmmakers they were scheduled to meet, Kris Swanberg (on Saturday) and Khalik Allah (on Sunday), pictured below:

SU Students and Faculty with Kris Swanberg

Saturday, May 9, 2015: SU Students and Faculty with Kris Swanberg (in open yellow cardigan)

SU Students and Faculty with Khalik Allah ()

Sunday, May 10, 2015: SU Students and Faculty with Khalik Allah (in crimson shirt, hand on heart)

I’m glad that part worked out . . . in any case, on Saturday, I forced myself to stick to some kind of a screening program before completely giving up on Sunday after just one movie. Here is what I saw.

People Places Things

People, Places, Things (James C. Strouse, 2015)

Here’s the synopsis from the festival’s program guide:

“The first few minutes of the wryly hilarious People, Places, Things find professor and graphic novelist Will Henry (Jemaine Clement, What We Do in the Shadows) thrust unwillingly into a new way of life. After his wife abruptly leaves him for another man, he finds himself having to navigate single fatherhood with his twin girls while juggling his career. As time passes, he adjusts to his new routine, but his reluctance to let go of the past cripples his ability to make real progress and meet someone new.

Noticing that her professor is in a bit of a funk, Kat (Jessica Williams), a student of Will’s, suggests that he come to dinner at her house to meet her single mother Diane (the wonderful Regina Hall). This sets up an awkward first date which may lead to promising new love—or just serve to further complicate already complicated situations.” (by J. Scott Braid)

This was not a great film, but it was an entertaining one. I’ve seen Jemaine Clement in various supporting roles over the years, but never really latched on to him as a performer (I saw not one episode of his “Flight of the Conchords“), but he makes for a very appealing sad sack of a leading man. Regina Hall (The Best Man Holiday) is lovely, although we, criminally, do not see a lot of her, nor of Jessica Williams (“The Daily Show with Jon Stewart). The movie is much more about Will working out his issues with his wife. Which is fine, except that that secondary plot of his blossoming romance with Diane is given very short shrift (and little screen time), which means that the final resolution feels a bit unearned. But the dialogue is often snappy, and there are far worse ways in which one could spend 85 minutes.

Unexpected

Unexpected (Kris Swanberg, 2015)

Here’s the synopsis from the festival’s program guide:

“Samantha and Jasmine discover their unplanned pregnancies about the same time. Samantha (a wonderful Cobie Smulders) is an engaged and successful teacher in a public school in a lower income neighborhood in Chicago that is set to close, and she immediately starts to worry about compromising her future career plans. Jasmine (terrific newcomer Gail Bean) is one of Samantha’s prize students, and worries about her plans for college being disrupted by her pregnancy.

These concerns ripple through friends and families in unpredictable but totally believable ways. Samantha’s boyfriend is thrilled, supportive, and proposes marriage, but doesn’t really understand Samantha’s quandary. The pregnancies also challenge Samantha and Jasmine’s close relationship, largely because Samantha, as both mentor and friend, makes presumptions about Jasmine and her goals.” (by Jed Dietz)

I am not a particular fan of the work of Kris Swanberg’s husband Joe, so I am happy to report how much I enjoyed Kris’s feature. She is a very fine filmmaker, with a great ability to direct actors, and she knows what she is doing with the camera. Cobie Smulders (“How I Met Your Mother“) is quite fine as Samantha, and Gail Bean is a remarkable find. Despite a gently surprising plot twist in the final third – which returns agency to the younger character – the movie cannot entirely escape what feels like a white, liberal-guilt origin, yet this never takes away from the overall humanistic quality of the script.

Field Niggas

Field Niggas (Khalik Allah, 2015)

Here’s the synopsis from the festival’s program guide:

“The title comes from a famous analysis of slave hierarchy and assimilation by Malcolm X, and photographer/filmmaker Khalik Allah is determined to pay tribute to people who are easily dehumanized in contemporary culture. Hanging around the infamous corner of 125th and Lexington in Harlem on a series of summer nights, Allah engages a wide variety of people who regularly inhabit the area and some who are just passing through. Concentrating on one corner in a tough city neighborhood reminds one of David Simon and Ed Burns’ reporting that resulted in the book The Corner, and the acclaimed HBO series that was adapted from it, and once again a powerful work of art emerges from an urban corner.” (by Jed Dietz)

Wow! This is quite an ambitiously experimental work. Shot almost entirely on the corner of Lexington and 125th Street in Manhattan, at night, the film is comprised of moving images of the denizens of the area (and the occasional passerby) and the police, while audio recorded separately – and not in sync with any image – plays as a vocal symphony below the visuals. It was a tough film for a sick man, late on a Saturday, to see, but it was quite a moving experience, in many ways. I’m still not sure that the film needed to be 60 minutes long, but that could be my illness talking. As it is, after seeing the film, I left that universe – where hope and despair coexist, where addiction and beauty go hand in hand – transformed by what I had seen, even if I’m still not sure that I understood the half of it.

Beats of the Antonov

Beats of the Antonov (Hajooj Kuka, 2014)

Here’s the synopsis from the festival’s program guide:

“Winner of the People’s Choice Documentary Award at the 2014 Toronto International Film Festival, director Hajooj Kuka’s Beats of the Antonov is a harrowing and heartening look at the people of the besieged Blue Nile and Nuba Mountain regions of Sudan, a people who have learned to not just cope but persevere under the most extreme circumstances. This stunning documentary finds the Sudanese filmmaker, a seasoned war correspondent, embedded within these communities as they are regularly bombarded by Russian-made planes (hence the film’s title) and forced from their homes and villages. Arrestingly lensed, the film introduces us to incredible musicians, activists, soldiers, farmers and intellectuals, whose fascinating stories highlight the important role their culture, and particularly music, plays in their daily lives.

Although the civil war here is a fight between North and South, Arab and African, and Kuka likely has his own opinions about the situation, it’s telling that all sides are represented and that the filmmaker does little to editorialize. For Kuka, what’s important is to show that culture, tradition, and particularly music, can sustain people, even in a war zone. People who manage to retain their culture, their music, their ways of life, can maintain their humanity and their dignity, even in the most perilous conditions.” (by J. Scott Braid)

Other than the fact that I was confused and thought I was going to see Frame by Frame instead (I kept on wondering, at first, why we were in Sudan, and not Afghanistan), I found this movie extraordinary. The filmmaker is right in the middle of the conflict, risking life and limb to film the devastation visited on these rebel communities by the government in Khartoum, so we see explosions, bloody corpses (animal and human), and much more. We also see and hear the people of the region as they explain why they resist the pressures from the north to de-Africanize them. This is a moving, harrowing and extremely inspiring film.

Thanks, Maryland Film Festival! I hope that, next year, I can avoid getting sick and enjoy more screenings . . .

Maryland Film Festival 2015, Day 2: The Double Wow of “Venice” and “In the Basement”

Yesterday was the second day of the 2015 Maryland Film Festival. It was also a working day for me, so I could only make two screenings in the evening (thank goodness for Good Doggie Day Care, which keeps my little wonder beagle so active during her stays that she passes out right after dinner, allowing me, at the end of such days, to stay out late!). Too bad, as Thursday’s slate was filled with many enticing offerings. From among those, I chose Venice (Kiki Álvarez, 2014) and In the Basement (Ulrich Seidl, 2014). My (very brief) thoughts on each are below.

Venicia

Venice (Kiki Álvarez, 2014)

Here’s the synopsis from the festival’s program guide:

“Slightly older and married Monica (Maribel García Garzón), young and slightly naive Violeta (Claudia Muñiz, who also has lead writing credits on the film), and the bubbly Mayelin (Marianela Pupo) are hairstylists working in the same Havana salon. The three women make plans to have dinner together at Violeta’s house and then head out for an evening on the town. They begin their night as work acquaintances, bonding as they discuss men, money, family, and other everyday life matters over a bottle of wine. In these charming moments, the viewer can’t help but be drawn into the orbit of these three savvy women. When they step out for the night and make their way through the streets of Havana, the energy of the film begins to shift. And as the wine kicks in and the malaise of the workday wears off, both the characters and the film begin to effervesce. A quiet dinnertime buzz gives way to a night of pulsing club music, carnal desire, and altered reality.” (by J. Scott Braid)

2015-05-07_Claudia Muñíz_MFF2015

Claudia Muñíz (pictured, above) was at the screening yesterday, and it was a pleasure to hear her talk about the process of making this delightful movie. Shot in an intimate style that allows the three main women to burst from the screen with their bountiful energy, Venice manages to appear, at first, like just another slice-of-life indie film before metamorphosing into a powerful meditation on female empowerment. I highly recommend. There is one more screening at the Walters Art Museum on Saturday, May 9, at 4:30pm.

Im Keller

In the Basement (Ulrich Seidl, 2014)

Here’s the synopsis from the festival’s program guide:

In the Basement stands as an equal to anything Seidl’s done before, offering a highly stylized presentation of reality as it delves into the literally subterranean lives of Austrians. From shooting ranges to taxidermy to BDSM to collections of Nazi memorabilia, Seidl’s camera finds that beneath the polite, humdrum exteriors of everyday life sometimes dwell special interests that, while sometimes quite disturbing to us as observers, hold deeper meaning for those individuals than the faces they show us by daylight.” (by Eric Allen Hatch)

Wow! I have seen none of Seidl’s other work, which includes the cult-favorite Paradise trilogy, but if this documentary is anything to go on, he is quite the provocateur. With carefully staged compositions, often held for uncomfortably long durations, Seidl pushes the boundaries of the form and begs the questions, “If the people on screen are doing things that Seidl ask them to do, how much is real?” Let’s call this an experimental docudrama featuring non-actors in their actual environments behaving as they always do, but at the request of the director. It’s a fascinating look at the simmering passions – loving, sexual, violent – that lurk beneath the veneer of civilization. I highly recommend this film, as well. There is one more screening, also at the Walters Art Museum, also on Saturday, May 9, at 11:30am.

Long Live the Movies: The 2015 Maryland Film Festival 2015 Is Upon Us!

MD Film Fest 2015

Welcome back, Maryland Film Festival! Baltimore needs you. Starting last night (Wednesday, May 6), and running through Sunday, May 10, this annual event brings films and filmmakers from around the world to Charm City for a whirlwind slate of screenings that offers documentaries, narrative (fiction) films, hybrids of both, experimental films, and a plethora of short films to match the features. This year, the Department of Film/Video at Stevenson – which I currently Chair – is one of the sponsors of the festival, and, in particular, of some specific events at the festival.

The festival began, as it has for a number of years now, with a program of short films, hosted this time by filmmakers Darius Clark Monroe (Evolution of a Criminal) and Riley Stearns (Faults), both of whom had their films play here last year. It was a powerful collection of 5 very different movies, one of which was made by a local director. Here they are, in the order in which they played:

  • Share (Pippa Bianco) – A beautifully restrained film about the consequences of a shared (sexually explicit, nonconsensual) video involving a high-school student, played by Taissa Farmiga (6 Years, also at this year’s fest)
  • Melville (James M. Johnston) – What is the connection between parenting, cancer and hip-hop? Find out in this carefully plotted and evocatively photographed short film.
  • Pink Grapefruit (Michael Mohan) – This is a lovely meditation on the evolution of relationships, and also the winner of the Jury Award for Narrative Shorts at this years’s SXSW Festival
  • Charlotte (Angel Kristi Williams) – This moving little gem – last night’s Baltimore-based film – explores the moody, ever-changing emotional landscape of teenagers.
  • The Bad Boy of Bowling (Bryan Storkel) – Who knew that bowling – once a major television draw, but since eclipsed by other sports – could be so exciting? Find out, as you watch Pete Weber revel in his role as “the bad boy of bowling.”

For the rest of the week, here are the events that Stevenson University is sponsoring:

Friday, May 8:
4-5pm, Tent Village, on North Avenue next to the MICA Lazarus Center, is the first of 3 Stevenson-sponsored sessions. It’s a documentary panel that I will moderate with local filmmaker Ramona Diaz (The LearningDon’t Stop Believin’), and three folks associated with films at this year’s festival: Sandra Bagaria (subject of Gay Girl in Damascus: The Amina Profile), Michael Beach Nichols (co-director of Welcome to Leith) and Luke Meyer (director of Breaking a Monster).
Saturday, May 9:
11am-12pm, Tent Village, on North Avenue next to the MICA Lazarus Center, is the first “Stevenson Student Talk-Back Session,” with filmmaker Kris Swanberg, whose movie Unexpected is playing that evening.
Sunday, May 10:
11am-12pm, Tent Village, on North Avenue next to the MICA Lazarus Center, is the second “Stevenson Student Talk-Back Session,” with Khalik Allah, whose documentary Field Niggas is playing later that day.
Come one, come all!