The Neon Demon (Nicolas Winding Refn, 2016) O beauty! O torpor! O glory! O pain! Has the world ever seen … More
Category: movie reviews
Reviews on movies I have seen, whether they be new releases or older films.
From Hammer to Nail: “As I AM: the Life and Time$ of DJ AM,” “Land and Shade,” “Off the Rails” and “Raiders! The Story of the Greatest Fan Film Ever Made”
Over the past two weeks, I once more wrote reviews for 4 films currently out in some kind of distribution, all published … More
In Powerful “Dheepan,” the Past Is Always with Us
Dheepan (Jacques Audiard, 2015) Dheepan is a man out of place and out of time, adrift in a world not … More
“Central Intelligence” Is Smart About Its Dumb Comedy
Central Intelligence (Rawson Marshall Thurber, 2016) Dwayne Johnson – the former pro wrestler once known as “The Rock” – has, … More
Swimming Pays Off: “Finding Dory” Is a Worthy Sequel, If Not As Perfect As Its Predecessor
Finding Dory (Angus MacLane/Andrew Stanton, 2016) Last year, Pixar gave us two new films, both original scripts: Inside Out and The … More
In “The Conjuring 2,” the Power of Christ Doesn’t Quite Compel Us
The Conjuring 2 (James Wan, 2016) Three years ago, Australian director James Wan (Saw) served up The Conjuring, a somewhat tasty – if … More
Dan Rodricks’ Roughly Speaking Podcast on the Films of Spring and Summer 2016
Today, Linda DeLibero – Director, Film and Media Studies, Johns Hopkins University – and Christopher Llewellyn Reed (that’s me) – Chair and Professor, Department … More
4 Film Reviews on Hammer to Nail: “Holy Hell,” “The Ones Below,” “The Other Side” and “Weiner”
Over the past two weeks, on top of my remaining coverage of the 2106 Maryland Film Festival, I have written … More
“Me Before You” – Better Luck Next Cry
Me Before You (Thea Sharrock, 2016) Thirtysomething Will Traynor has everything going for him: he’s handsome, athletic, insanely rich and … More
Yorgos Lanthimos’ “The Lobster” Offers an Intriguing Parable on Love and Dating
The Lobster (Yorgos Lanthimos, 2015) The Lobster is Greek director Yorgos Lanthimos’s fifth theatrical feature. Prior to this, perhaps his … More