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chrisreedfilm

Know where to put the camera when and why

Category: movie reviews

Death Steals Profundity from “The Book Thief”

The Book Thief (Brian Percival, 2013) The best thing about this film are the young leads, Sophie Nélisse (Monsieur Lazhar), … More

“Philomena” – The Triumph of Faith over Church

Philomena (Stephen Frears, 2013) Philomena manages to both attack the hypocrisy of organized religion and affirm the power of faith. It’s … More

“Nebraska” Exists in Shades of Gray

Nebraska (Alexander Payne, 2013) I’ve always loved Alexander Payne’s uniquely quirky (but never twee, unlike Wes Anderson) sensibility, from films … More

“The Hunger Games” Finally Catch Fire

The Hunger Games: Catching Fire (Francis Lawrence, 2013) I did not like the first Hunger Games. As I wrote in … More

“Kill Your Darlings” – The Future Awaits

Kill Your Darlings (John Krokidas, 2013) We’ve seen a number of films about the 1950s “Beat Generation” recently, among them Howl (about the … More

“The Best Man Holiday” – A Sequel You Didn’t Know You Needed

The Best Man Holiday (Malcolm Lee, 2013) I must confess that I never saw The Best Man, back in 1999. Did … More

“Dallas Buyers Club” Is Performance Positive

Dallas Buyers Club (Jean-Marc Vallée, 2013) Dallas Buyers Club, the new film by French Canadian director Jean-Marc Vallée (The Young … More

“Blue” Is the Minutest Color: Abdellatif Kechiche and the Epic Cinema of Detail

Blue Is the Warmest Color (Abdellatif Kechiche, 2013) From 1895 to the 1910s, the early film pioneers wrestled with the storytelling … More

Okey-Loki – “Thor: The Dark World” Needs More Hiddleston

Thor: The Dark World (Alan Taylor, 2013) I have a problem with Thor. Not the Norse god, whom I never … More

All Tales of Struggle Are Not Created Equal: “All Is Lost,” “Ender’s Game,” and “About Time”

Today, in Baltimore, three new films open, all of which tackle existential crises, and none of which are alike. In … More

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