Equals (Drake Doremus, 2015) We’ve been here – a dystopian future where citizens are micromanaged by governments wary of an unruly…
“Absolutely Fabulous” Is Mostly Absolutely Dreadful
Absolutely Fabulous: The Movie (Mandie Fletcher, 2016) Did the world really need a movie adaptation of Jennifer Saunders’ long-running (though on-again,…
The Once and Future Series: “Star Trek Beyond” Delivers the Action Goods in a Mostly Worthy Mix of Past and Present
Star Trek Beyond (Justin Lin, 2016) In our age of endless remakes, reboots and sequels, what makes any particular film…
Finally … Three Nails for One Last AFI DOCS Hammer (Part 3)
Since my second post about the recent AFI DOCS festival, Hammer to Nail has published three more pieces of mine from the fest: 1 review, 1 interview and the…
Who You Gonna Call? Sadly, Not These “Ghostbusters”
Ghostbusters (Paul Feig, 2016) I wish I could report that the new Ghostbusters – a reimagining of the beloved 1984 original,…
In “The Infiltrator,” Competence Is Its Own Reward
The Infiltrator (Brad Furman, 2016) Following his delightful 2011 thriller The Lincoln Lawyer – which helped launch the Matthew McConaissance – director Brad Furman decidedly…
And Now … 6 Nails for One Hammer: Films at AFI DOCS (Part 2) + “The Witness”
Since my last post about the recent AFI DOCS festival, Hammer to Nail has published five more pieces of mine from the fest…
“Reel Talk” – with Chris Reed and Chris Kaltenbach – on “Finding Dory,” “The BFG” and “The Neon Demon”
Welcome to the sixth (and final) episode of the 2015-2016 season of Dragon Digital Media‘s Reel Talk with Christopher Llewellyn Reed . My guest this time was…
An Interview with Noted Baltimore-Based Documentarian Ramona Diaz
Check out my latest filmmaker interview on Bmoreart, with the great documentary filmmaker Ramona Diaz, who just happens to live in…
The DI (Dull Inertia) of “The BFG”
The BFG (Steven Spielberg, 2016) Director Steven Spielberg has long been a purveyor of magical fantasies for the silver screen,…
