[For an explanation of my blog post title, check out my “best of” list from 2013.]
Below you will find lists of my favorite films of the year, divided by documentary (nonfiction) and narrative (fiction) formats. Not all the movies mentioned have received a significant theatrical or online release in 2017, though most of them did; a few may still be looking for distributors after making their festival rounds. Where I have previously written reviews of a movie (whether for Film Festival Today, Hammer to Nail or this blog), the title of that movie is hyperlinked to my original review. In the case of one film (noted, below), I only wrote a brief capsule review of it within a film-festival recap, and I link to that write-up, instead. Where I have not (yet) reviewed a film, I have hyperlinked the title to the movie’s Rotten Tomatoes page. If I later write a review (for films not yet out in wide release), I will change that link to my own review.
If a film that you, yourself, saw and liked is nowhere mentioned here, then it is possible that I did not see it (or saw it and liked it, but not enough to include among my favorites, or saw it and, of course, did not like it). As many films as I watch every year, I cannot possibly see everything. If you have questions about any omissions, feel free to comment and/or send me a note. And really, what separates the “Top 10” from the “runners-up” is very little. If you’re in my Top 20, in other words, I like you very much.
Enjoy! Over the next week, I will continue to publish other “best of” lists, for acting and technical/artistic achievements of the year.
Top 10 Documentary Films of 2017 (in alphabetical order):
- Abacus: Small Enough to Jail (Steve James)
- Dealt (Luke Korem)
- Dolores (Peter Bratt)
- Faces Places (JR/Agnès Varda)
- Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (Chris Smith)
- Kedi (Ceyda Torun)
- Motherland (Ramona Diaz)
- Nobody Speak: Trials of the Free Press (Brian Knappenberger)
- Strad Style (Stefan Avalos)
- Strong Island (Yance Ford)
Top 10 Narrative Films of 2017 (in alphabetical order):
- Beach Rats (Eliza Hittman) [link points to my review of films at the 2017 Maryland Film Festival; scroll down past the capsule reviews of documentaries to the #1 fiction film]
- The Divine Order (Petra Volle)
- Easy Living (Adam Keleman)
- Get Out (Jordan Peele)
- Graduation (Cristian Mungiu)
- Happy End (Michael Haneke)
- Lady Bird (Greta Gerwig)
- The Post (Steven Spielberg)
- The Square (Ruben Östlund)
- Their Finest (Lone Scherfig)
2017 Documentary Film Runners-Up (in alphabetical order):
- Baltimore Rising (Sonja Sohn)
- Barbecue (Matthew Salleh)
- The Blood Is at the Doorstep (Erik Ljung)
- City of Ghosts (Matthew Heinemann)
- Jane (Brett Morgen)
- Kim Dotcom: Caught in the Web (Annie Goldson)
- Maineland (Miao Wang)
- Quest (Jonathan Olshefski)
- Rat Film (Theo Anthony)
- Step (Amanda Lipitz)
2017 Narrative Film Runners-Up (in alphabetical order):
- AWOL (Deb Shoval)
- The Big Sick (Michael Showalter)
- The Disaster Artist (James Franco)*
- Most Beautiful Island (Ana Asensio)
- 1945 (Ferenc Török)
- Patti Cake$ (Geremy Jasper)
- Princess Cyd (Stephen Cone)
- The Shape of Water (Guillermo del Toro)
- The Strange Ones (Christopher Radcliff/Lauren Wolkstein)
- The Transfiguration (Michael O’Shea)
*Note from 1/9/18 – recent allegations about Franco’s sexual misbehavior now complicate such a nomination. It’s still a really solid movie, however compromised the director.
2017 Documentary and Narrative Honorable Mentions (in alphabetical order):
- Baby Driver (Edgar Wright)
- Before I Fall (Ry Russo-Young)
- The Beguiled (Sofia Coppola)
- Coco (Lee Unkrich/Adrian Molina)
- Columbus (Kogonada)
- Dark Night (Tim Sutton)
- The Departure (Lana Wilson)
- Dina (Antonio Santini/Dan Sickles)
- The Endless (Justin Benson/Aaron Moorhead)
- The Florida Project (Sean Baker)
-
Free and Easy (Jun Geng)
-
The Freedom to Marry (Eddie Rosenstein)
-
Future ’38 (Jamie Greenberg)
- Hounds of Love (Ben Young)
- I Am Another You (Nanfu Wang)
- I, Tonya (Craig Gillespie)
- Island Soldier (Nathan Fitch)
- The Islands and the Whales (Mike Day)
- Katie Says Goodbye (Wayne Roberts)
- The Last Laugh (Ferne Pearlstein)
- Lemon (Janicza Bravo)
- Logan (James Mangold)
- Love Means Zero (Jason Kohn)
- Mommy Dead and Dearest (Erin Lee Carr)
- Mudbound (Dee Rees)
- One of Us (Heidi Ewing/Rachel Grady)
- Phantom Thread (Paul Thomas Anderson)
- Plastic China (Jiu-liang Wang)
- Pornocracy (Ovidie)
- A River Below (Mark Grieco)
- Spettacolo (Jeff Malmberg/Chris Shellen)
- Sylvio (Albert Birney/Kentucker Audley)
- Thank You for Your Service (Jason Hall)
- This is Congo (Daniel McCabe)
- Thor: Ragnarok (Taika Waititi)
- Trophy (Shaul Schwarz/Christina Clusiau)
- Unrest (Jennifer Brea)
- Wind River (Taylor Sheridan)
- Wonder Woman (Patty Jenkins)
- The Work (Jairus McLeary/Gethin Aldous)
Worst Films of 2017 (in alphabetical order):
- The Book of Henry (Colin Trevorrow)
- The Circle (James Ponsoldt)
- Gold (Stephen Gaghan)
- Independence Day: Resurgence (Roland Emmerich)
- Marshall (Reginald Hudlin)
- Mother! (Darren Aronofsky)
- The Mummy (Alex Kurtzman)
- The Ottoman Lieutenant (Joseph Ruben)
- The Snowman (Tomas Alfredson)
- Valerian and the City of a Thousand Planets (Luc Besson)
Stay tuned for more posts in the week ahead …
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